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THE BEATLES - HELP STEREO COLLECTORS COMPARISON PACKAGE STARTS WITH THE VALUABLE 2002 JAPAN TOSHIBA/EMI TOJP-60135 PRESSED WELL DECADE OUT OF PRINT AND SELLS FOR WELL OVER $200 ALONE IN THE COLLECTORS MARKET - COLLECTORS NOTE : THESE BEATLES JAPAN EMI/TOSHIBA PRESSINGS ARE TREMENDOUSLY RARE LONG OUT OF PRINT TITLES THAT WERE ONLY PRESSED ON FUTURES AND ONCE SHIPPED WENT IMMEDIATELY OUT OF PRINT IN 2003. PROBABLY THE MOST LIMITED EDITION HIGH QUALITY PRESSINGS EVER OF THESE BEATLES TITLES. SO RARE NOW SITES NOW ARE SELLING THESE SPECIFIC TITLES FOR $100'S ALONE. THE ABBEY ROAD FROM THIS SERIES SOLD FOR OVER $800 AND THIS IS PROBABLY THE LAST NEW COPY OF THIS JAPAN EMI/TOSHIBA 2003 PRESSING LEFT IN THE WORLD . THAT HOW RARE THESE RELEASES ARE WITHIN THE COLLECTORS MARKET. NO ONE CAN BEAT THIS PRICE. SO DON'T MISS OUT THIS BEATLES COLLECTIBLE FOR YOUR TURNTABLE OR COLLECTION. These FOREIGN pressings are sent with the vinyl outside of the jackets when being shipped to the U.S. to protect the covers from damage. Once inside the our warehouse we then protectively seal the title in a loose re-sealable plastic cover to ensure the quality of the product. This title is brand new & never played condition. PLUS FOR COMPARISON THE BEATLES HELP UK PRESSED IN THE 90'S PARLOPHONE PMS-3071 this pressing has a small seal split in the gatefold jacket & THE NEWLY RELEASED 180 GRAM STEREO ABBEY ROAD STUDIOS 24 BIT MASTERING OF FOR HELP BRAND NEW LP SET AND HELP IS FOR THE COLLECTORS WHO WANTS IN ALL AND TO OWN ALL 3 VARIOUS PRESSINGS STARTING IN THE 90'S OF THIS CLASSIC BEATLES MASTERPIECE. THIS IS A ONE TIME ONLY OFFERING AND ONCE SOLD GONE FOREVER These JAPAN LIMITED EDITION & UK 1990'S pressings are sent with the vinyl outside of the jackets when being shipped to the U.S. to protect the covers from damage. Once inside the our wherehouse we then protectively seal the title in a loose re-sealable plastic cover to ensure the quality of the product. This title is brand new & never played condition. These latter two pressings album has been direct-metal-mastered from a digitally re-mastered original tape to give the best possible sound quality. Mymusicfix has listened to it – AND IT SOUNDS GREAT!! THE Rare JAPAN PRESSED, Limited Edition, COLLECTORS VERY LIMITED one-time pressing - booked on futures ONLY AND WENT IMMEDIATELY OUT OF PRINT IN 2002 - OBI sash - Japanese Pressed by Toshiba/EMI Collectors Note : ON 1990'S UK PRESSING - We've compared this U.K. Apple EMI/DMM pressing. This album has been direct-metal-mastered from a digitally re-mastered original tape to give the best possible sound quality. Mymusicfix has listened to it – AND IT SOUNDS GREAT !! THE BEATLES’ ACCLAIMED STUDIO ALBUM REMASTERS ON 180-GRAM VINYL: WELL WITH OWNING THE LATTER TWO PRESSINGS BEFORE THIS NEW PRESSINGS THE COLLECTOR CAN COMPARE WHICH REALLY SOUNDS BETTER. PLUS OWN THE OUT OF PRINT PRESSING FOR THEIR COLLECTION. THE BEATLES ACCLAIMED STUDIO ALBUM REMASTERS ON 180-GRAM VINYL: Pressed on 180-Gram, Audiophile Quality Vinyl with replicated artwork, albums return to their original glory! No detail was spared, Stereo Since it was recorded, The Beatles music has been heard on a variety of formats from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We play records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music. When The Beatles albums were first released, the listener enjoyed a tangible relationship with the music in the grooves of a record. There was an emotional connection to the artifact carrying the sound, and this bond was strengthened by the LP sleeve. Rather than a merely functional object to protect the disc, it was elevated to a stylish accessory. Certainly, the cover of a Beatles album conveyed a message about the music it was wrapped around. For producer Rick Rubin, surveying The Beatles recorded achievements is akin to witnessing a miracle. If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years, Rubin said in a 2009 radio series interview. So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability. REMASTERING THE BEATLES’ ORIGINAL STUDIO ALBUMS FOR VINYL: It was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the idea was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple. The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl. A blind listening test was arranged to choose between a lacquer or copper cut. Using both methods, was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having blank discs of a consistent quality when cutting lacquers. The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the 24-bit Digital Masters Sourced from the Original Analog Master Tapes rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone limiting - a procedure to increase the sound level, which is deemed necessary for most current pop CDs. Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any sibilant episodes - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of inner-groove distortion was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a mushy sound particularly noticeable on vocals. Using what Magee has described as surgical EQ, problem frequencies were identified and reduced in level to compensate for this. The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli. Highly skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music. Features: • Available for the First Time on 180 Gram Vinyl • Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes! E-BAY STORE . FOR YOUR INDIVIDUAL BEATLES SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN THEBEATLES INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard. How John Lennon's confessional song became the title for a silly James Bond spoof I really don't know. The funny thing is, it works both ways--as a young man's personal statement about learning to open up to others, and as the frantic theme for an exotic espionage chase comedy starring those lovable mop-tops (this time in color ). Like A Hard Day's Night , only the first "side" of this album actually contains songs from the movie--the biggest hits being the eponymous cry for assistance and "Ticket to Ride." But part 2 has a few nice tunes as well, like "It's Only Love," "I've Just Seen a Face," and a little ditty called "Yesterday." And I always love it when they do an all-out screamer like "Dizzy Miss Lizzy," which sounds like John's raucous answer to Paul's "Kansas City/Hey, Hey, Hey, Hey" vocal on Beatles for Sale . Of course, it's essential--as are all the Beatles' soundtracks (all the Beatles' albums ), with the possible exception of Yellow Submarine . Track Listings 1. Help! 2. The Night Before 3. You've Got To Hide Your Love Away 4. I Need You 5. Another Girl 6. You're Going To Lose That Girl 7. Ticket to Ride 8. Act Naturally 9. It's Only Love 10. You Like Me Too Much 11. Tell Me What You See 12. I`ve Just Seen a Face 13. Yesterday 14. Dizzy Miss Lizzy International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying . Note: It's illegal to falsify customs declarations or mark an item as a "gift" in order to avoid customs fees INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES. OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE. USA SHIPPING: We box/package protectively – Ship UPS Ground/Insured within Continental USA – Hawaii/Alaska by mail. We accept PayPal ONLY WITH CONFIRMED SHIPPING ADDRESS INT’L SHIPPING: We box/package protectively for safe world-wide shipping. When accepting PayPal, ship ONLY WITH EXPRESS MAIL FULLY INSURED or PRIORITY MAIL FULLY INSURED – INT’L SHIPPING: We box/package protectively for safe world-wide shipping. When accepting PayPal, ship ONLY WITH EXPRESS MAIL FULLY INSURED or PRIORITY MAIL FULLY INSURED – Because of Postal Regulations in following countries -- U.K. (England, Ireland, Wales and Scotland), SOUTH AMERICAN COUNTRIES, QATAR, PHILIPPINES, SRI LANKA, ISRAEL, RUSSIA, MEXICO and MALTA – AT CHECKOUT, MUST CHOOSE EXPRESS SHIPPING ONLY International Buyers are responsible for their country’s Customs Fees Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the Mymusicfix STORE tab on the Title Purchase Page to view our current items up on E-Bay. For additional Rare, Out of Print, Factory-Sealed Audiophile Recordings, visit mymusicfix E-Bay Store by hitting the “STORES” TAB on this titles’ Home Page. Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. thebeatles