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THE BEATLES - WITH THE BEATLES - MONO & STEREO COMPARISON SET - ALL LPS & CD NEVER HAD STORE PRICE STICKERS ATTACHED TO THE PLASTIC WRAP BUT HAVE THEIR VERIFYING COLLECTORS ORIGINAL RELEASE 1ST EDITION MARKETING/HYPE STICKERS PROVING THAT THESE LPS ARE THE ORIGINAL ISSUES OF THESE EDITIONS AND THAT THESE ISSUES WERE pressed ON 180 GRAM OR PREMIUM REMASTERED VINYL AND THAT THOSE STICKERS (OR OBI STRIP) ARE STILL ATTACHED TO EITHER THE SEALED PLASTIC WRAP OR ON THE LEFT SIDE UNDERNEATH THE PLASTIC WRAP PROTECTING THE LP JACKET & VINYL INSIDE. IF YOU DON'T SEE THESE STICKERS OR OBI ATTACHED YOU ARE NOT PURCHASING AN ORIGINAL ISSUE OF THESE RELEASES. WE START WITH THE MONO PRESSINGS IS THE TREMENDOUSLY RARE LONG OUT OF PRINT JAPAN PRESSING THAT IS ONLY AT ONE SITE NOW AND IS SELLING FOR $200 ALONE . RARE OUT OF PRINT JAPAN PRESSINGS PRESSED ON LIMITED EDITION FUTURE ORDERS ONLY. WENT IMMEDIATELY OUT OF PRINT ONCE THE FUTRES ORDERS WERE DELIVERED BACK IN 2003 OVER A COUPLE DECADES AGO - GONE FROM ALL AUDIOPHILE DEALERS - THIS IS YOUR LAST CHANCE TO OWN THIS MONO MASTERPIECE COLLECTORS NOTE : THESE BEATLES JAPAN EMI/TOSHIBA PRESSINGS ARE TREMENDOUSLY RARE LONG OUT OF PRINT TITLES THAT WERE ONLY PRESSED ON FUTURES AND ONCE SHIPPED WENT IMMEDIATELY OUT OF PRINT IN 2003. PROBABLY THE MOST LIMITED EDITION HIGH QUALITY PRESSINGS EVER OF THESE BEATLES TITLES. SO RARE NOW SITES NOW ARE SELLING THESE SPECIFIC TITLES FOR $100'S ALONE. THE ABBEY ROAD FROM THIS SERIES SOLD FOR OVER $800 AND THIS IS PROBABLY THE LAST NEW COPY OF THIS JAPAN EMI/TOSHIBA 2003 PRESSING LEFT IN THE WORLD . THAT HOW RARE THESE RELEASES ARE WITHIN THE COLLECTORS MARKET. NO ONE CAN BEAT THIS PRICE. SO DON'T MISS OUT THIS BEATLES COLLECTIBLE FOR YOUR TURNTABLE OR COLLECTION. NO ONE CAN BEAT THIS PRICE LET ALONE THIS COMPARISON PACKAGE SET. SO DON'T MISS OUT. COLLECTORS NOTE: THE BEATLES ALWAYS DID TWO DIFFERENT MIXES AND TOTALLY DIFFERENT VERSIONS/TAKES FOR THEIR MONO AND STEREO LP'S. GEORGE MARTIN & THE BEATLES ENLISTED ON THIS PROCESS. SO REALLY THERE IS TWO TOTALLY DIFFERENT REVISIONS FOR EACH LP IN THE SEPARATE MONO MIXES AND STEREO MIXES. THE MONO VERSIONS ARE A COLLECTORS DREAM TO OWN AND MAKES FOR GREAT COMPARISONS FROM THE TWO VARIOUS MIXES IN YOUR LISTENING ROOM. ENJOY AND LISTED TO THE DIFFERENCE AND SEE WHICH YOU ENJOY THE MOST WITH YOU AND YOUR FRIENDS. These JAPAN TOSHIBA/EMI LIMITED EDITION LONG OUT OF PRINT MONO pressings are sent with the vinyl outside of the jackets when being shipped to the U.S. to protect the covers from damage. Once inside the our warehouse we then protectively seal the title in a loose re-sealable plastic cover to ensure the quality of the product. This title is brand new & never played condition. This album has been direct-metal-mastered from original mono pressing to give the best possible sound quality. Mymusicfix has listened to it – AND IT SOUNDS GREAT!! FEATURES ARE THIS VINYL PRESSING IS TREMENDOUSLY RARE, Limited Edition, one-time pressing - booked on futures - immediately Out of Print - OBI sash - Japanese Pressed by Toshiba/EMI WITH THE FINEST QUALITY TO EVERY DETAIL AS ALL JAPAN PRESSINGS ARE KNOWN FOR. NEXT WE HAVE THE STEREO LIMITED EDITION 180 GRAM PRESSING JUST RELEASED IN NOVEMBER 2012 AND THIS PRESSING IS FROM THE 1ST PRESS ON THIS NOVEMBER RELEASE DATE FOR THESE 180 GRAM 1ST EDITIONS; INFORMATION ABOUT THESE NEW 180 GRAM PRESSINGS - REMASTERING THE BEATLES’ ORIGINAL STUDIO ALBUMS FOR VINYL: THE BEATLES ACCLAIMED STUDIO ALBUM REMASTERS ON 180-GRAM VINYL: Pressed on 180-Gram, Audiophile Quality Vinyl with replicated artwork, albums return to their original glory! No detail was spared, Stereo Since it was recorded, The Beatles music has been heard on a variety of formats from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We play records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music. When The Beatles albums were first released, the listener enjoyed a tangible relationship with the music in the grooves of a record. There was an emotional connection to the artifact carrying the sound, and this bond was strengthened by the LP sleeve. Rather than a merely functional object to protect the disc, it was elevated to a stylish accessory. Certainly, the cover of a Beatles album conveyed a message about the music it was wrapped around. For producer Rick Rubin, surveying The Beatles recorded achievements is akin to witnessing a miracle. If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years, Rubin said in a 2009 radio series interview. So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability. REMASTERING THE BEATLES’ ORIGINAL STUDIO ALBUMS FOR VINYL: It was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the idea was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple. The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl. A blind listening test was arranged to choose between a lacquer or copper cut. Using both methods, was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having blank discs of a consistent quality when cutting lacquers. The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the 24-bit Digital Masters Sourced from the Original Analog Master Tapes rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone limiting - a procedure to increase the sound level, which is deemed necessary for most current pop CDs. Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any sibilant episodes - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of inner-groove distortion was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a mushy sound particularly noticeable on vocals. Using what Magee has described as surgical EQ, problem frequencies were identified and reduced in level to compensate for this. The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli. Highly skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music. Features: • Available for the First Time on 180 Gram Vinyl • Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes! LASTLY THE 2009 STEREO The Beatles With The Beatles CD Rolling Stone 500 Greatest Albums of All Time - Rated 53/500! Features: • Re-mastered at EMI's Abbey Road Studios in London • Each CD is packaged with replicated original UK album art • Housed in three-panel soft digi-pak • Includes expanded booklets containing original and newly written liner notes • Rare photos • For limited period, each CD will be embedded with a brief documentary film about the album. • Made in the U.S.A. First time available in stereo in its entirety on CD! The Beatles' second UK album was recorded four months after their debut and was released in November 1963. It features eight original compositions, including the first by George Harrison, and six covers. Features "All My Loving", "Roll Over Beethoven", "You Really Got a Hold On Me", and "Money (That's What I Want)". The original Beatles catalogue has been digitally re-mastered for the first time for worldwide CD release. Each CD is packaged with replicated original UK album art, including expanded booklets containing original and newly written liner notes and rare photos. For a limited period, each CD will also be embedded with a brief documentary film about the album. The albums have been re-mastered by a dedicated team of engineers at EMI’s Abbey Road Studios in London over a four year period utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. The result of this painstaking process is the highest fidelity the catalogue has seen since its original release. The stereo CD includes track listings and artwork as originally released in the UK. Within the CD’s new packaging, booklet includes detailed historical notes along with informative recording notes. These stereo CDs will be housed in a three-panel eco digi-pack with 14 page booklet. A newly produced mini-documentary on the making of the album, directed by Bob Smeaton, is included as a QuickTime file on the album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere. "For the new remasters, the engineer went back to the original 1960's analog master tapes. Remastering is about working with, sharpening, amplifying, clarifying, and enhancing what are already the settled (or established) facts of the original mix. A listening session in early June at Electric Lady Studios in Manhattan confirmed that this is exactly what has been done. In A/B comparisons with the 1987 CD versions, the Beatles' records sounded more alive, more spirited, with greater dynamic range, and a new spaciousness that was very apparent... These new releases are an audiophile's dream - on good gear, they do sound much improved." - Robert Baird, Stereophile Magazine, October 2009, Vol. 32, No. "The album cover photo is the same as their U.S. debut, Meet the Beatles!, but in the U.K. this was the Beatles' second album. It celebrates Motown with rocked-up versions of the Miracles' "You've Really Got a Hold on Me," the Marvelettes' "Please Mr. Postman" and Barrett Strong's "Money." - rollingstone Selections: ON ALL THE LP'S & CD 1. It Won't Be Long 2. All I've Got To Do 3. All My Loving 4. Don't Bother Me 5. Little Child 6. Till There Was You 7. Please Mister Postman 8. Roll Over Beethoven 9. Hold Me Tight 10. You Really Got A Hold On Me 11. I Wanna Be Your Man 12. Devil In Her Heart 13. Not A Second Time 14. Money (That's What I Want) E-BAY STORE . FOR YOUR INDIVIDUAL BEATLES SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN THEBEATLES INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard. International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying . Note: It's illegal to falsify customs declarations or mark an item as a "GIFT" or mark item at a LESSER VALUE in order to avoid customs fees INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES . FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE. USA SHIPPING : We box/package protectively – Ship UPS Ground/Insured within Continental USA – Hawaii/Alaska by mail. We accept PayPal ONLY WITH CONFIRMED SHIPPING ADDRESS INT’L SHIPPING : We box/package protectively for safe world-wide shipping. When accepting PayPal, ship ONLY BY PRIORITY MAIL/FULLY INSURED OR EXPRESS MAIL FULLY INSURED – In ternational Buyers are responsible for their country’s Customs Fees. Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the Mymusicfix STORE tab on the Title Purchase Page to view our current items up